ECHO CINEMA

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6.27 周五 19:00顾桃《敖鲁古雅·敖鲁古雅》《雨果的假期》

顾桃，1970年出生于内蒙古自治区，中国内地纪录片导演、摄影师。

从2004年开始，顾桃带着一台DV走进兴安岭，与鄂温克族人一同生活八年，完成了《敖鲁古雅·敖鲁古雅》《雨果的假期》《犴达罕》这三部“鄂温克三部曲”，记录下鄂温克养鹿人柳霞、她的弟弟维佳、儿子雨果等人的生活，以及在现代文明冲击之下，传统狩猎文化消亡的忧伤。

《敖鲁古雅·敖鲁古雅》影片聚焦中国大兴安岭深处的使鹿鄂温克族。300多年前他们从西伯利亚迁徙而来，世代打猎、饲养驯鹿。2003年，生态搬迁迫使他们离开森林，融入政府定居点生活。纪录片真实展现了他们在禁猎后对传统生活的迷惘与坚持：有人依旧回山狩猎，有人喝酒自我麻醉，也有人用诗、画表达悲伤。

《雨果的假期》聚焦鄂温克族少年雨果和他的母亲柳霞。柳霞在雨果幼年丧夫后因抑郁和酗酒，让儿子被送到无锡免费寄养。13岁时，雨果回到大兴安岭家乡，与母亲共度冬季假期。影片缓慢而诗意地呈现母子间的情感张力，以及雨果在城市与森林之间的身份困惑。

Friday, June 27, 19:00 — “Aoluguya, Aoluguya” “Yuguo and his mother” by Gu Tao

Gu Tao, born in 1970 in the Inner Mongolia Autonomous Region, is a Chinese documentary filmmaker and cinematographer.

Beginning in 2004, Gu Tao ventured into the forests of the Greater Khingan Mountains with a DV camera and lived among the Evenki people for eight years. During this time, he completed his “Evenki Trilogy”—Aoluguya, Aoluguya, Yuguo and His Mother, and The Last Moose of Aoluguya—which documents the lives of reindeer herder Liu Xia, her brother Weijia, and her son Yuguo. The trilogy captures the quiet sorrow of a traditional hunting culture fading under the pressure of modern civilization.

“Aoluguya, Aoluguya” focuses on the Evenki reindeer herders living deep in the Greater Khingan Mountains of China. Over 300 years ago, they migrated from Siberia and have since lived by hunting and raising reindeer for generations. In 2003, an ecological relocation policy forced them to leave the forest and move into government settlements. The documentary vividly portrays their confusion and perseverance in maintaining traditional ways of life after hunting was banned: some still return to the mountains to hunt, some numb themselves with alcohol, while others express their sorrow through poetry and painting.

“Yuguo and his mother” centers on a young Evenki boy named Hugo and his mother Liu Xia. After Liu Xia lost her husband when Hugo was very young, she fell into depression and alcoholism, leading to Hugo being sent to Wuxi for free foster care. At the age of 13, Hugo returns to his hometown in the Greater Khingan Mountains to spend the winter holiday with his mother. The film unfolds slowly and poetically, revealing the emotional tension between mother and son, and Hugo’s inner struggle between life in the city and the forest.

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